Despite the abundance of characters, the script is strong and leaves a lasting impact, setting the stage for potential follow-up seasons. Unlike typical mainstream movies, there are no purely good or bad characters; even the villains are portrayed with shades of gray, displaying a range of human emotions. The darkest characters are thoroughly explored, revealing glimpses of the emotions they’ve long buried.
One particular scene stands out, where Sinha’s Fareedan delicately places a beautiful nose pin on the usually talkative Ustaad Ji (Indresh Malik), the homosexual pimp of Heeramandi. The silence that follows is deafening, and a flood of emotions washes over his face. This scene is potent, gripping, and communicates a lot without needing words.
Bhansali has been holding onto this idea for over ten years, but the outcome isn’t quite what was hoped for. While there are some incredibly impactful scenes and touching dialogues throughout, the show struggles to keep up that momentum. It’s weighed down by slow and unnecessarily drawn-out parts in between the more compelling moments. Trimming down some of these unnecessary sequences could have made the show much stronger overall.
All eight episodes of Heeramandi are now available to stream on Netflix.